Beyond The Black Rainbow
Inscrivez-vous!
Restez informé et d'obtenir un meilleur accès aux informations des collectionneurs!
Restez informé et d'obtenir un meilleur accès aux informations des collectionneurs!
| # | Track | Duration | |
|---|---|---|---|
| 1. | Forever Dilating Eye | ||
| 2. | Elena's Sound-World | ||
| 3. | Run Program: Sentionauts | ||
| 4. | Arboria Tapes - Award Winning Gardens | ||
| 5. | 1983 - Main Titles | ||
| 6. | 1966 - Let The New Age Of Enlightenment Begin | ||
| 7. | Sentionauts II |
JAGJAGUWAR & Death Waltz Recording Company are proud and excited to release a true masterpiece into the world with the soundtrack to Panos Cosmatos' BEYOND THE BLACK RAINBOW. Posited as a 'lost film' of the 1980s, the picture is inspired by classic dystopian fiction and the obscure SF movies one used to see lining the shelves of the local video store. As such, the brilliant soundtrack blends seamlessly amongst its influences; Tangerine Dream, Wendy Carlos, and of course John Carpenter, with the latter's mark heard on the oppressive synth percussion of the main titles and the evocative melodies heard throughout. Created by Sinoia Caves, the ongoing project of Jeremy Schmidt, a disciple of the long-form cosmic synthesizer soundscape, and member of Canadian psych-and-prog-spiritual pioneers Black Mountain, this recording also features guest appearances by Joshua Wells, drummer of Black Mountain.
Schmidt's score is many things – haunting, uncompromising, intense – but is always a fascinating listen. Incorporating touchstone elements such as mellotron choirs, glacial analogue synthesizer pads and arpeggiators, Schmidt artfully navigates the various sonic sensibilities of the 70s-80s genre aesthetic. What emerges from this schematic realm of the 'almost familiar' evolves and manifests as a work of striking originality, an ominously beautiful, otherworldly and terrifying score. Simply put, BEYOND THE BLACK RAINBOW is an astounding piece of work and must not be missed.
Schmidt's score is many things – haunting, uncompromising, intense – but is always a fascinating listen. Incorporating touchstone elements such as mellotron choirs, glacial analogue synthesizer pads and arpeggiators, Schmidt artfully navigates the various sonic sensibilities of the 70s-80s genre aesthetic. What emerges from this schematic realm of the 'almost familiar' evolves and manifests as a work of striking originality, an ominously beautiful, otherworldly and terrifying score. Simply put, BEYOND THE BLACK RAINBOW is an astounding piece of work and must not be missed.